V.A. HD-DH-1000 Computer Dance Music (2010)

ARTIST`````VARIOUS
ALBUM`````HD-DH-1000 COMPUTEr DANCE MUSIC
GENRE`````ELECTROFUNK, OLD SCHOOL, BREAKBEAT, EARLY ELECTRO, CLASSICS
YEAR````````2010
BLEEDING PANDA COMPILATION

WHAT?
Huh! I finally finished. I took me a really long time because I am really not even a 10% of an expert on the subject of early electro and electro-funk. At first I wanted to avoid the classics as much as possible but after spending hours listening to 1980's electro/first techno vinyls I noticed that all the classics are really the strongest points and most of the rarities and experimentations are crappy. I didn't include Afrika Bambaataa, Grandmaster Flash or Shannon but I really couldn't avoid Juan Atkins because he is just perfectly detached. In fact almost all songs here were big underground hits at some point. + I noticed that many young "clubbers" today don't really know when techno started or which track is considered to be the first so I posted both of them. Of course - I am talking about 1981 Cybotron's glorious Alleys of Your Mind and A Number of Names Sharevari. Also, two tracks from Boys Noize and Tobias Von Hofsten are examples of the continuing influence of the Roland TR-808 machine. One of the best less known tracks here is definitely Electric Boogie Boots Cheeky - a fantastic German electro-funk and the childish nerdy Jonzun Crew's classic Space Is The Place - one of the finest electro jams of it's generation.

I hope you enjoy this comp as much as I do.

Tracklist
01 The Jonzun Crew - Ground Control (1983)
02 League Unlimited Orchestra - Things That Dreams Are Made Of (1981)
03 The Egyptian Lover - Freak - A - Holic
04 Tony Cook - On The Floor (Rock-It) (1984)
05 The Pinch - Shout Out Instrumental (1984)
06 Willesden Dodgers - Gunsmoke Breakout Mix 2 (1984)
07 Tackhead - Body to Burn (1989)
08 Arabian Prince - Strange Life (1984)
09 Cybotron - Alleys Of Your Mind (1981)
10 A Number Of Names - Sharevari (Original 1981 Vocal Version)
11 Kraftwerk - Elektro Kardiogramm (Live don't know when)
12 The Jonzun Crew - Space Is The Place (1983)
13 Man Parrish - Six Simple Synthesizers (1982)
14 Electric Boogie Boots - Cheeky (1983)
15 Boys Noize - EBong (Original Mix) (2006)
16 Cybotron - Clear (1983)
17 The Egyptian Lover - The Dark Side Of Egypt (1986)
18 Twilight 22 - Siberian Nights (1984)
19 Channel One - Technicolor (1986)
20 Tobias Von Hofsten - I Love My 808 (2000)

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PHILIP GLASS - NORTH STAR (1977)

ARTIST`````PHILIP GLASS
ALBUM`````NORTH STAR
GENRE`````EXPERIMENTAL, OST, AVANTGARDE
YEAR````````1977
DIRECTED BY François de Menil



INFO
The music on North Star was originally written at the suggestion of Barbara Rose for the film, Mark Di Suvero, Sculptor, directed by Francois de Menil for Parrot Productions Ltd. In most cases, the titles of the selections refer to works by Di Suvero which appear in the film. For the purpose of making a record a certain amount of rearranging and remixing was necessary. Also, a different sequence was chosen in order to produce an independent and coherent listening experience. Philip Glass

• Philip Glass: Farfisa, Yahama & Hammond Organs, Fender Rhodes Piano, Arp, Synthesizer
• Dickie Landry: Soprano & Tenor Saxophones, Flute
• Joan Labarbara and Gene Rickard: Voices

Tracklist:
1) Etoile Polaire (North Star) 2:35
2) Victor's Lament 3:35
3) River Run 1:50
4) Mon Pere, Mon Pere 3:52
5) Are Years What? (For Marianne Moore) 4:00
6) Lady Day 3:57
7) Ange Des Orages 3:38
8) Ave 4:42
9) Ik-Ook 4:10
10) Montage 2:25

http://www.glasspages.org/
http://www.philipglass.com/
http://en.wikipedia.org/wiki/Philip_Glass

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Art Bears - 3 albums (1978 - 1981)

WHO?
A warm and wonderful avant-garde band - Art Bears were an Englishavant-rock group formed during the disassembly of Henry Cow in 1978 by three of its members, Chris Cutler(percussion, texts),Fred Frith (guitar, bass guitar, violin, keyboards) andDagmar Krause (vocals). The group released three studio albums between 1978 and 1981, and toured Europe in 1979. Well, whatever you think after hearing this, you won't be able to say it ain't interesting.

Links:

http://en.wikipedia.org/wiki/Art_Bears

http://www.ccutler.com/ccutler/

http://calyx.perso.neuf.fr/bands/chrono/henrycow.html

Hopes & Fears (1978)

The first album from Dagmar Krause, Chris Cutler, and Fred Frith's post-Henry Cow project is one of the art rock masterpieces of the 1970s. It's as politically potent as Henry Cow's more strident work, but couched in more poetic and provocative terms. Opening with Bertolt Brecht's "On Suicide," with Krause declaiming the playwright's bitter lyrics in her semi-operatic style to the wheezing accompaniment of Frith's harmonium, the album continues in that uncompromising vein.

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Winter Songs (1978)

Finding distribution on the Residents' Ralph Records label, the Art Bears' second album consists of 12 songs of various tensions: rest vs. speed, improv vs. pulse, space vs. density, Dagmar Kraus's vocals vs. everyone else. As usual, Chris Cutler's lyrics tell political allegories through medieval-tinged stories: slaves, castles, and wheels of fortune (and industry) dominate. A guaranteed lease breaker if played often enough.

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The World As It Is Today (1981)


On The World As It Is Today and its predecessor, Winter Songs, the Art Bears move away from the long-form art rock of Henry Cow and get much, much more politically explicit: song titles like "The Song of the Dignity of Labour Under Capital" and "The Song of Investment Capital Overseas" almost sound like Monty Python gags today, but if any humor was intended it was clearly meant to be mordant. Frankly, the lyrics are so overwrought and portentous that it's hard to take them seriously. But the music is something else again.

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V.A. I'm Gonna Burn Yourself (2010)

ARTIST`````VARIOUS
ALBUM`````I'M GONNA BURN YOURSELF
GENRE`````BLUES, BLUES-ROCK, NOISE, JAZZ, PSYCHEDELIC
YEAR````````2010
BLEEDING PANDA COMPILATION

WHAT?
A pack of mostly filthy blues/blue-rock songs (from delta classic to contemporary). To widen it up I added a few noise (post-kraut-whatnot) tracks (Adult., Aluk Todolo...), a gorgeous psychobilly track from Laika and the Cosmonauts and even an electronica 4x4 beat song from Whomadewho. A rather filthy and sometimes difficult sound in general. I just hope it sounds coherent at all hahaha. Anyways, some great artists here that you should explore more.

Note: Please if someone can identify track 17 I would be eternally grateful!

TRACKLIST:
01 Adult - The Importance Of Being Folk Part 2 (2006)
02 Pete Molinari - It Came Out of The Wilderness (2008)
03 Exuma - Exuma, The Obeah Man (1970)
04 The Jon Spencer Blues Explosion - Can't Stop (1996)
05 Howlin' Wolf - Crying at Daybreak (1966)
06 C.W. Stoneking - Bad Luck Everywhere You Go (2007)
07 Screamin Jay Hawkins - Alligator Wine (1982)
08 Hound Dog Taylor and the HouseRockers - Buster's Boogie (1974)
09 Chris Whitley & Jeff Lang - Underground (2006)
10 The Chatham Singers - All Who Cheated and Lied (2009)
11 Aluk Todolo - Disease (2007)
12 Bob Crosby - Big Noise from Winnetka (1938)
13 The Legendary Tiger Man - Walkin' Downtown (2006)
14 Laika And The Cosmonauts - Experiment In Terror (2008)
15 Whomadewho - Raveo (2009)
16 Dan Auerbach - Street Walkin' (2009)
17 Roland P. Young - Row Land (tnx to Feq'wah for identifying)

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V.A. BLEEDING TECHNO SERIES VOL.02: GLIDE (2010)

ARTIST`````VARIOUS
ALBUM`````BLEEDING TECHNO SERIES VOL.02: GLIDE
GENRE`````BALEARIC, HOUSE, PROGRESSIVE, DETROIT
YEAR````````2010

WHAT?
For some time now I wanted to share some great techno/house/electro tracks I enjoyed but they were either to "4x4 clubby" for my compilations or simply long beatport frenzy club mixes and did not fit at all. So I decided to start regularly releasing compilations of just kool danceable club sounds overlooking their genres or bpm's.

Since there was a really warm reaction to my Bleeding Techno Series Vol.01 I decided to pack another bunch of tracks I enjoyed these last months.
Here we have a selection of several excellent Balearic house-chill tracks for a cool and long warm-up. Naturally, I had to complicate it and enforce some more minimal (Tristesse), electro (Juno Ride) and even a pure commercial clubby progressive-tech-house (Step Out) to diversify the mix a bit. I hope you enjoy this selection and that DJ's find some romantic, moody tracks to spin.

As for some comments posted here about my chaotic combination of songs from different years (not being 100% trendy or something) I can only say - a good track is even better when you hear or discover it 5, 10, or 20 years after and it still sounds great. Also, there are thousands of "Best 2010 Summer House Hits Vol.458" on the web to feed a trendy mind with short-lived music. Accidentally, most of the songs on this comp are from 2009 so I guess I'm late for 6 months hehe.

Leave some feedback folks and enjoy the glide.

TRACKLIST:
01 Lullabies In The Dark - Code 7429b
02 Jacob Korn - Grosskariert (2009)
03 The Field - Leave It (2009)
04 Woolfy VS Projections - Return Of Starlight (Invisible Conga People Rmx 2009)
05 Fontän - Nightrider (2009)
06 Kollektiv Turmstrasse - Tristesse (2007)
07 Makossa And Megablast - Juno Ride (2009)
08 Joris Voorn - Decay (2007)
09 D-Nox and Beckers - Step Out (2007)
10 Damian Schwartz - In The Mood (2008)
11 Kenny Larkin - Cirque De Soul (2008)

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V.A. Paranoia (2010) Bleeding Panda Compilation

ARTIST`````VARIOUS
ALBUM`````PARANOIA
GENRE`````SOUNDTRACK, CLASSICAL, FUNK, INSTRUMENTAL, DETECTIVE JAZZ
YEAR````````2010

WHAT?
SOON.


TRACKLIST:
01 François De Roubaix - Mauvaise Nouvelle On Ne Part Plus
02 Lalo Schifrin - Scorpio's View
03 Roy Budd - Diamonds
04 Franz Liszt - Grey Clouds
05 Air - Dirty Trip
06 Simon Park - Sun High
07 Nico Fidenco - From The Beyond
08 Roy Budd - M11
09 Daniele Patucci - Motivi Psichedelici (LA Piu' Allegra Storia del DeCamerone)
10 Alain Goraguer - Mort De Draag (1973)
11 De Luca, Giuseppe - Rito a Los Angeles [Il Dio Chiamato Dorian]
12 György Ligeti - Musica Ricercata, II (Mesto, Rigido E Ceremoniale) Reprise

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HOWLIN WOLF - HOWLIN WOLF or the The Rockin' Chair Album (1962)

ARTIST`````HOWLIN' WOLF
ALBUM`````HOWLIN' WOLF (also known as The Rockin' Chair Album)
GENRE`````BLUES, CHICAGO BLUES,
YEAR````````1962

SHIT:
How the hell didn't I hear this guy's records before is beyond me. He is a formidable cult figure in blues history and one of it's most original and powerful singers. When I heard just a first few screams from his huge mouth I immediately though - shit: Tom Waits had lots of fun listening to this... I am really not blues-oriented or informed so this is quit a find for me especially because I was into Tom Waits for 10 long years (!?). I heard a few Howlin' Wolf later hit songs but I never listened to a full album. It took me just a few clicks to find out that Tom Waits was directly influenced by this passionate loud-mouth killer.
This record was released 10 years before 1973 Tom Waits debut light-hearted but beautiful album "Closing Time" and 20 years before his revolutionary Swordfishtrombones (1983) where he fully released his gravelly voice. Wolf has been singing since the 1930's and played on one of the first electric guitars anyone had ever seen (that's how old his music is). Even the themes and some phrases are identical. The thing that struck me the most was that while listening Wolf's mostly 2,50 mins long songs I constantly had a feeling of purity, power and strength that Waits lost over time in his often over-done cabaret aesthetic. If you listen to the sharp guitar stabs and vocal beat of Spoonful, or the backing instrumentation and the shuffled beat of Who's Been Talkin'? you will simply hear Tom Waits cooking the same soup all over again.
I found a comment here that even as a dedicated Waits listener I have to agree with:

J. P. Spencer
I happen to love Tom Waits' music, "The Black Rider" in particular, but I have one big beef about him. Why is he always suing people for sounding like him when he himself sounds like Howlin' Wolf? I think it's safe to say that Waits has made more money suing people for musical plagiarism than he has from his truly impressive catalog of songs. You would think that The Continuum of Universal Fairness would dictate that this should be the other way around.

One of my favorite tracks from this album is The Red Rooster - a moronically simple song about a measly farm problem with a missing lazy rooster. This brilliant line - If you see my little red rooster, please drag him home (like he's a wasted drunkard) is something we could easily hear in Tom's live or recorded ramblings. People can easily get lost in the huge universe of Tom Waits discography (I did) and never look beyond it (or before it). This reminds me of a documentary on rock music of 1970's (can't remember the name) where Keith Richards said that pretty much every cult rock song or guitar solo was either a direct remake or was heavily based on a 50 year old blues song hahaha.

Anyways, this album is really a must-listen. Repost the damn thing.

WHO IS HE?

In the history of the blues, there has never been anyone quite like the Howlin' Wolf. Six foot three and close to 300 pounds in his salad days, the Wolf was the primal force of the music spun out to its ultimate conclusion. A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. King certainly more technical expertise, but no one could match him for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.

Howlin' Wolf:

Biography @ allmusic

Howlin' Wolf @ Wikipedia

Website
Howlin' Wolf (album)

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