Showing posts with label Trip hop. Show all posts
Showing posts with label Trip hop. Show all posts

Thursday, July 24, 2008

KAADA - THANK YOU FOR GIVING ME YOUR VALUABLE TIME (2003)


A BEAUTIFUL COLLAGE
ARTIST`````KAADA
ALBUM`````
THANK YOU FOR GIVING ME YOUR VALUABLE TIME
GENRE`````SOUNDTRACK, ALTERNATIVE, EXPERIMETAL, POST-ROCK, TRIP-HOP
YEAR````````2003


WHY:
Excellent, subtle album by one of Europe most interesting and mystified producers.

ALBUM REVIEW:
This album has the same kind of warm, reverb-y production that Ipecac head honcho Mike Patton often favors (see Fantomas' Director's Cut), and has a collage-type avant-garde pop/rock feel that's not a million miles away from something like Director's Cut or Mr. Bungle's California. Then again, it's certainly not beholden to those influences either: the main inspirations here seem to be hip-hop (especially in terms of the production) and old American R&B and soul music, combined with an unusually user-friendly experimental streak. Basically, Kaada takes isolated samples and loops from old recordings, mixes them together with live instruments and (sometimes) vocals, and creates new songs that are essentially virtual collaborations between musicians from these different times and places. The striking thing about this album, although it's only striking once you try to analyze it, is that it's almost impossible to tell what sound is coming from what record. Whether it's sampled or live or not, or if you know all the recordings he's dealing with, knowing such things won't prevent you from enjoying the music here.

Thank You For Giving Me Your Valuable Time is full of such subtleties, which, rather than merely sounding coy and clever, add some real heart to the album and elevate from just a technically impressive collection of sampling and production trickery into something more.

DOWNLOAD

Thursday, December 6, 2007

DJ KRUSH and TOSHINORI KONDO - KI-OKU (1998)


KRUSHING BEATS AND SAXOPHONE WASHING. AAARGHHH...
ARTIST`````````````DJ KRUSH & TOSHINORI KONDO
ALBUM`````````````KI-OKU

GENRE`````````````TRIP-HOP/DOWNBEAT
YEAR```````````````1998

MY VIEW:
My favourite Krush album and dare I say - his greatest. I consider this to be one of the best and most intimate albums in the entire trip-hop genre (which I generaly disrespect). This is pure instrumental krushingness from Japan's most respected trip-hop duo.

Pure pleasure and a must have.





ALBUM REVIEW

Anyone who remembers trumpeter Toshinori Kondo's work with such thorny avant-gardists as John Zorn, Derek Bailey, Fred Frith, and Peter Brotzmann's Die Like a Dog Quartet may be a bit taken aback by the extreme accessibility of his collaboration with pioneering turntablist DJ Krush. Much of the music on Ki-OkuKondo's muted trumpet line on "Mu-Getsu" sounds an awful lot like something Chris Botti would play, while the duo's instrumental take on the Bob Marley classic "Sun Is Shining" comes off just a little bit muzak-y. On the other hand, "Ki-Gen" and "Ko-Ku" both find Kondo using synthesized treatments in a way that evokes Jon Hassell's work with Brian Eno, while on the latter DJ Krush layers slightly menacing keyboard washes beneath Kondo's unassuming trumpet lines. This is one of those albums that reveals more with repeated listens; if it sounds too easy at first, listen again -- there's lots of interesting stuff going on beneath what sometimes sounds like a merely pleasant surface.

DOWNLOAD KRUSH HERE
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