Woima Collective - Tezeta (2010)

ARTIST`````Woima Collective

ALBUM`````Tezeta
GENRE`````Ethiopian Jazz, Funk,
YEAR````````2010

Words
Infectious album of Ethiopian and Afro-jazz inspired grooves from members of lauded German funk unit Poets Of Rhythm. 'Tezeta' came about after group leader and tenor sax player Johannes Schleiermacher was smitten with the sounds he soaked up on trips to Morocco and the feelings of celebration and healing in Gnawan trance performances. Further meetings with the legendary Ethio-jazz master, Mulatu Astatke, prompted him to set up a ten piece unit and after a three day rehearsal and a pair of two day recording session, this album was created. The result is brilliantly diverse album, ranging from fiery funk arrangements akin to the Heliocentrics, to super-cool and dubby workouts imbued with a skilled freedom and sublime groove which will surely impress any fans of the Ethiopiques series.

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Also you can get my compilation BLEEDING ETHIOPIA.
And get the magnificent classic ETHIO JAZZ AND MUSIQUE INSTRUMENTALE 1969-1974

Arnaud Rebotini - Music Components (2009)

ARTIST`````Arnaud Rebotini

ALBUM`````Music Components (2009)

GENRE`````Techno

YEAR````````2009

The sexiest techno album of 2009

I should have posted this album a looong time ago (in 2009 to be precise). Don't know why I didn't but anyway, if you don't have it (you might have heard 2 tracks from it on my third Crashing comp) do get it and melt your headphones with every track on it. This is my favorite dance album of 2009 simply because there is no bullshit to be found anywhere on it. There is no unnecessary trendiness (charts were ruled by some of the worst progressive and tech house farts ever). Here is just Arnaud Rebotini making love to his collection of synths like TR 909, TR 808, SH 101, ARP Odyssey and Korg's Mono/Poly. But also, what's the most important part and what gives this album it's macho mojo is that it's a 100% no bullshit dance record. Each track is a rock-solid concrete piece of composition and among these 10 tracks I just can't find the shitty one. The weakest point on this album is that it doesn't last for 6 more hours.

It sounds like an intimate and romantic exploration and thats why it sucked on charts but I get the feeling that author's goal had nothing to do with charts. If you play this to a DJ and he says he wouldn't spin any of the tracks from this album that means that he/she is a mojoless douchebag and you should avoid them completely. My best advice is to go for an hour long walk and listen to the entire album in one go.

In this interview, you can see how much he is really into synths and the 771 views on youtube tells you enough about the public.

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V.A. The Cutest Party (2010)

ARTIST`````Various
ALBUM`````The Cutest Party
GENRE`````Kitsch, Exotica, Italo Disco, Electronic, Steel Funk
YEAR````````2010
Bleeding Panda Compilation

Info:
For the end of the summer – a collection of catchy, kitschy exotic tunes I enjoyed these last few months. Some are quite famous but there are a plentiful of great finds here. Enjoy @(+,+)@

Tracklist:
01 Fred Weinberg - Aum Mau Mau (1970)
02 Goto80 - Papaya Coconut / Dr. Alban Cover (2001)
03 Tipsy - El Bombo Atomico (1997)
04 Coconot - Tao (2008)
05 Little Tempo - Dance Killer (2008)
06 Neon Indian - Deadbeat Summer (2009)
07 Bernie Krause & Human Remains - Ape No Mountain High Enough (1988)
08 Oleg Kostrov - Fog Spread Over Lebanon (2003)
09 Billy Larkin & the Delegates - Pygmy (1964)
10 Plantlife - Love Me Till It Hurst (2005)
11 Dutch Rhythm and Steel Band - Funky Limbo (1978)
12 Gay Flamingoes Steel Band - Caterpilla (2002)
13 Bibio - Jealous Of Roses (2009)
14 Leila - The Exotics (2008)
15 Yma Sumac - Goomba Boomba (1955)
16 Morton Gould - Tropical (1964)
17 Methusalem - Robotism (1977)
18 Alexander Robotnick - C'est La Vie (1987)
19 Luciano - Africa Sweat (2009)
20 Hot Chip - Transmission (Joy Division Cover) (2009)
21 Tullio De Piscopo - Primavera (Stop Bajon) (1982)
22 Frank Ricotti - Bikini (1981)
23 Little Tempo - Tropical Rock (2008)
24 Senor Coconut - Around The World Intro / Daft Punk Cover (2008)
25 Michael Lloyd & Le Disc - Johnny's Mambo (1999)
26 Tommy Seebach - Alperosen (1975)

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Supported by:
goto80.com
Meatskull

For after-party I recommend this flawless tropical affair:P

V.A. SHADOW MUSIC OF THAILAND (2008)

1960'S GROOVY THAILAND?
ARTIST`````VARIOUS
ALBUM`````SHADOW MUSIC OF THAILAND
GENRE`````POP, ROCK,
YEAR````````2008?
Recorded in the mid-‘60s in Bangkok, Thailand.

IN SHORT:
FFFFantastic selection of Thailand's pop-guitar groups of the 60's. Truly a great find.

ALBUM INFO:
SHADOW MUSIC was a broad term given to the Thai guitar pop movement of the 1960s and the groups that came out of it, all under the profound influence of early Western rock and roll. British instrumental wonders The Shadows (as in Cliff Richards & the Shadows) were the origin of the genre's title, also coined 'Wong Shadow' or early Thai 'String' music.

Shadow records were often marketed as 'Thai Modernized Music' which it was in the truest sense. Traditional Thai melodies were given the Shadow treatment; incorporating rock, surf, a-go-go, exotica, soul, blues, Latin and other worldly styles of the times. Inventive compositions and instrumental genius meet the occasional odd vocal arrangement and the results range from plaintive guitar and organ-driven lullabies to full-blown electric garage folk-psychedelia!

Featured on this collection are a handful of the leading recorded artists from the time; P.M. Pocket Music, The Son of P.M., P.M.7, Jupiter and Johnny Guitar. Throughout the 1960s, these groups forged a unique and highly self-referential Thai sound. One time pressing of 1500 LP copies and each of these beauties come in a full-color heavy-duty tip-on gatefold jacket featuring gorgeous original Thai Shadow LP artwork and of course 180 gram vinyl, so don't sleep on this one.

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Thx to http://knifefightingjesus.com for support

ETHIOPIQUES - BLEEDING ETHIOPIA (2009)

MOST IMPORTANT AND INFLUENTIAL MUSIC FROM ONE OF THE MOST INTERESTING AFRICAN COUNTRIES
ARTIST`````VARIOUS
ALBUM`````ETHIOPIQUES - BLEEDING ETHIOPIA
GENRE`````JAZZ, FUNK, FUSION, R&B, TIGRIRNA MUSIC,
YEAR````````2009
COMPILATION BY BLEEDING PANDA

WHY?
This is one of my dearest compilations. It contains a personal selection from a 23 disc set of Ethiopian urban/funk/jazz/tigrirna music, mostly from the 60's and 70's.

Passage from "Haile's got a brand new bag" by Robin Denselow
Ethiopian music is very different from other African styles, perhaps because the country itself, with its long embrace of Christianity and no experience of western colonialism (though the Italians did invade the country in the second world war), has had such a different history. Musically, it has never been influenced by Cuban or other Latin styles, unlike west Africa. Instead, Ethiopian musicians looked to their own traditional music and to black America - a combination that came together in the extraordinary experiments of the 60s, when they created their gloriously distinctive fusion of local styles with American R&B, funk and free-form jazz.

INFO ABOUT THE SERIES:
Ethiopiques is a series of CD's featuring Ethiopian and Eritrean singers and musicians. Many of the Ethiopiques CDs compile various singles and albums that Amha Records, Kaifa Records, and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia. Prominent singers and musicians from this era appearing on Ethiopiques releases include Alemayehu Eshete, Asnaketch Worku, Mahmoud Ahmed, Mulatu Astatke, and Tilahun Gessesse. However, some Ethiopiques releases are new recordings.

The Paris-based world music record label Buda Musique began the Ethiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music, while others highlight individual musicians or specific styles. As of September 2007, there have been 23 releases. None of the CDs feature today's synthesizer-based Ethiopian pop music. Francis Falceto is the editor of the series.

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