Twin Shadow - Forget (2010)

ARTIST`````Twin Shadow
ALBUM`````Forget

GENRE`````New Wave, Lo-Fi, Electropop, Electronic

YEAR````````2010

Conclusion/Review from popmatters:

Although Forget might not usher in a new musical era, it’s a near-flawless album and certainly one of the most impressive debuts we’ve ever seen. It might not change your life, but it will bury itself deep into your brain and make you feel good and warm for a couple of days. Given George Lewis Jr’s restless nature, it’s a safe bet that this will be the only Twin Shadow album of its kind. And that alone is something to be very excited about.

Album removed

Check this artist:

http://twinshadow.net/

http://www.myspace.com/thetwinshadow

http://twitter.com/#!/thetwinshadow

http://www.last.fm/music/El+Nou+Mon

V.A. Out Run Arcade Game Alternative Soundtrack (2010)

ARTIST`````Various
ALBUM`````V.A. Out Run Arcade Game Alternative Soundtrack
GENRE`````Kitsch, Nerdy, Electronic, Italo, Electro, Techno, Retro, Moog
YEAR````````2010

A Bleeding Panda Compilation

Out Run:

For some time now I wanted to make a nerdy tribute to one of the greatest arcade games of my childhood - the glorious 1986 Out Run by Sega. I too have lost tons of pocket money trying to beat the #1 record set by some mysterious local kid but I never really made it (I was either a shitty player or didn't carry around enough cash for coins). Anyway - for those who didn't play it or have a vague memory: Out Run was and still is considered to be one of the breaking points in arcade game history. It had supreme, smooth fake 3D graphics and a great FPS so you could actually feel the speed. It had a killer soundtrack with a revolutionary twist: you could choose a song you wanted to listen while driving (a concept obviously taken for the GTA series years later). Now, today this sounds like blah, but at that time - this was really, really important and really, really awesome + this was not the only choice a player could make. While driving through luxurious, detailed European scenery, you could choose different paths at predefined crossroads. Some paths were difficult while some were easier - this is the first time players could slightly feel "freedom of choice" which is mostly why this game is so praised (also, the blond in the Ferrari Testarossa added some pluses)."At least part of Out Run's huge success was down to it capturing the fun-yet-superficial spirit of the 1980s. Previous racing games had concentrated on the more serious side of racing, with the action usually taking place in a Formula One racing car, over a series of competent but uninspiring racing tracks. Out Run was different; in a decade that celebrated style over content, the game offered players the ultimate boy racer experience by putting them behind the wheel of that eighties icon of cool, a red Ferrari Testarossa; replete with a 'blonde bimbo' in the passenger seat."

http://www.exotica.org.uk

Why no Testarossa?
I know someone who knows the subject would ask so I am answering in advance: I didn't post Kavinsky's Testarossa track in this selection because I posted it already in one of my worst compilations so instead I inserted a goofy intro from the EP that really sits well here. Many critics (including the obnoxious Pitchfork sponges that dismissed the 1986 EP because it wasn't trendy and indie enough) have completely missed to notice that a few of Kavinsky's tracks are a goddamn DIRECT HOMAGE to this very game. Ok, the entire EP is not great but just the fact that at a time when everybody was farting in torture of being the indiest band on Pitchfork's homepage, a nerdy French dude was having lots of fun producing romantic Miami Vice/Out Run music makes me say YES! I go with the nerdy French dude.In general
The kitschy selection is a mix of early italo-disco tunes, a few romantic Moog moments and some fresher songs heavily influenced by 80's sound. Many of tracks are (or were) very popular club hits at some point but got lost or were simply to stupid & too 80's to last long. Since most of the older tracks were of really shabby quality I had to unskillfully "remaster" them ha HA! I used a VST plugin called Izotope Ozone which I highly recommend (can be easily found). Since I am quite unfamiliar with mastering I just browsed through a ton of presets and chose the ones I though sounded the best?! This is my first time in using shit like this and I hope your ears don't suffer too much.

Enjoy and I will see you in October - I am taking a sunny vacation in Lisbon::::-)
Tracklist
01 James Saunders - Launch Control (1981)
02 Patrick Cowley - Sea Hunt (1982) 256
03 Trevor Bastow - Light Industrial Motion (1980)
04 Alden Tyrell - Rendez Vous At Rimini (2006)
05 Claudio Mingardi - Star (Instrumental) (1984)
06 Alden Tyrell - Mindless (2006)
07 FPU - Crockett's Theme (FPU Original Mix) (2002)
08 Yello - Hawaiian Chance (1987)
09 Kavinsky - Flashback
10 Alan Hawkshaw - Technicolour (1981)
11 Mark Shreeve - City Of Angels (1989)
12 Roland Bocquet - Epsilove (1982)
13 Droids - Be Happy (1978)
14 Aavikko - Syntaksis (2009)
15 Rockets - Future Game (1982)
16 Morgan Geist - Palace Life (2008)
17 Mux Mool - Death 9000 (2010)
18 Sebastien Leger - Saturn (2007)
19 Astral Sounds - Velvet Mousetrap (1982)
20 Colossus - Raga (1978)
21 Hard Ton - Flawless (Tobias Bernstrup Italo Remix) (2010)

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MARTIN REV - SEE ME RIDIN' (1996)

IT'S TIME TO GET REACQUAINTED
ARTIST````MARTIN REV
ALBUM````SEE ME RIDIN'
GENRE````INDIE, ELECTRONIC, SYNTH POP, MINIMAL, BUBBLEGUM POP
YEAR``````1996

WHY:
Since Suicide are one of my favourite 80's underground asshole acts, Martin Rev just comes along naturally. This album is his best work (maybe even including the Suicide albums). Everything is here: Martin's naive I-dont-give-a-fuck voice, glorious I-dont-give-a-fuck childish lyrics (I love you, yes I do, and I always want to be with you, yeah) and minimal stylish I-dont-give-a-fuck rhythms and melodies. Even those few instrumental songs are somehow...really good.

It is amazing how such simple and basic compositions sound so fresh and out there. Basicaly, he was out there in the 1980's, 1990's and damn he still is. See me Ridin' sounds incredibly fresh today so you all synth-indie-wanaabees can just go and bleed to death in a smelly corner.

ALBUM REVIEW:
by Greg Prato

On Martin Rev's 1996 solo album, See Me Ridin', the co-founder of the legendary electro-rock band Suicide steps out on his own, and offers 16 tracks of minimalist bubblegum power pop. But don't worry longtime Suicide fans, drum machines, Rev's trademark synthesizers, and his half-sung/spoken vocals are the basis for each song, while Suicide's hypnotizing repetition is used to great effect as well. Although a wide variety of musical artists and styles come to mind when listening to the album (Buddy Holly, Guided by Voices, Legendary Pink Dots, and David Lynch-like soundscapes), it's still unmistakably Martin Rev. What carries the compositions is Rev's strong sense of melodicism -- "Pillars," "Be Mine," "Secret Teardrops," and the title track contain such strong melodies that they sound hauntingly familiar.

Attention industrial/techno-heads, it's time to get reacquainted with one of the genre's founders...Martin Rev.

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Get him @ myspace
See his shitty site
See a crappy fan site with some info and miserable photos